THE 35TH DAY T MINUS ONE TWO THREE SEVEN: THE ART OF HIGHEST CALLING AND THE FACE OF THE WATERS AND LANDS ALL COMBINED TO ONE IN PAINTINGS, ROCK, AND NOW THE MAPS THAT WERE TO BE THAT TIME LEFT BEHIND, FROM MERCATOR TO CASSINI, THE LATTER FOUND THE WAY TO MAKE THE BRIGHTER DAY FOR NO ONE AND FOR NOTHING AT ALL AND NEVER HEAR AGAIN THAT DIMENSIONS ONE TO N ARE NOT REAL THEY ARE REAL IN FULL AND THROUGH TEAL WE BEGIN PART NINETEEN OF THE SERIES ON THE MYSTERY OF WASHINGTON’S LOST ENGRAVING, IS IT LOST OR IS IT GONE LIKE IT SHOULD BE FOR THIS TIME OF YEAR TOO MUCH ON THE MOON TOO MUCH ON HERE ALL AROUND THE CULT OF ALL SEEING EYE AGAINST THE OAK TREE AND THE BEST GUY

Harmonica Macrocosmica, by ANDREAS CELLARIUS, first edition 1660/1, second edition of those known, 1709, this is an alleged excerpt from the SEVENTH volume of a project that began, we read at least, that began with GERARD MERCATOR,

at the University of Louvain, purple robe, oath of university, plus registration fee, this is reference one below and begin with the story of the book in the collection of BAETYL that is most certainly not a work for juveniles, rather it should be, as it is, as commission project, as seen below, on the life of one so named Gerardus Mercator, whoever that may be, we are carefully following this post right now indeed, on the topic of the Moon, it was to be, first on the, the EIGHT MAGIC WORDS, that we here, we here interpreted, interpreted from the LATIN in the BENEDICTINE CALENDAR, CALENDAR that is or was said to be derived from ANCIENT ROMAN sources or in the trends of the kalends, nones and ides, with days upon the year in excess of three-hundred and sixty numbered five, a curious type of CALENDAR, with a visual representation of some kind of cycle that we deduced was a SOLAR and LUNAR calendrical glyph as we might call what is in these books, whatsoever at all, the OLD BOOKS, the expensive books, this here book number one below, not quite expensive but all books on MERCATOR are indeed valued to be PRICELESS until proven otherwise, or something like, must be CATALOGUED, or else the righteously labyrinthine world of an education that cannot be, must not be, must not be, must never be, anything than other than mystery, that is, we will see, what we learn if anything at all, from that book number one below, following from the CAPTION up above, on the topic of the SEVEN VOLUMES, the series of ATLASES and MAPS and GUIDES TO THE HEAVENS AND THE EARTH, AND THE EARTH, thank you much indeed, nothing here, printed in the United States of America indeed, we fear to say not at all, bad news when it appears that we have a masonic text in our possession, indeed, on this topic important, more for now on the contemporary of MERCATOR.

Abraham Ortelius, BORN fourteenth April 1527 to 1598, YEAR OF OUR LORD, thank you much, ABRAHAM ORTELIUS from the Duchy of Brabant, THE LOW COUNTRY, indeed, the BELGIAN, FLEMISH, DUTCH IN PART, OTHERS AS WELL, THE HOLY ROMAN EMPIRE, BRABANTIAN SINCE ELEVEN EIGHTY-THREE, 1183, THE AUSPICIOUS NUMBER, AUSPICIOUS NUMBER, AUSPICIOUS NUMBER, THANK YOU MUCH INDEED, SEE THE NORTH POLE LANDMASS HERE BELOW, LIKE A MERCATOR, LIKE WE KNOW,

THE EIGHT-LEAF MAP OF THE WORLD FIFTEEN SIXTY-FOUR, public domain, enlarge the map please, THE MIRROR OF THE NILE SEE THERE AT WHAT LONGITUDE INDEED THIRTY ONE EIGHT THREE DEGREES EAST THAT WOULD BE, EAST LONGITUDE 31 degrees 8 minutes 0 seconds AND WHAT DO WE FIND, BE OUR GUEST AND GO LOOK FOR YOURSELF SEATED MAN.

ANTWERP FIFTEEN-SEVENTY, ALL THE YEARS AND THE DATES ARE OFF BY SUCH NUMBER THAT IS MEANINGFUL TO, masonry.

Regio Patalis, INDEED WHAT IS THAT, THE REGION OF THE INDUS RIVER VICINITY

THE MIRROR TO THE MISSISSIPPI ON A DIAGONAL FROM FLORIDA WITH THE AMERICAN CONTINENT IN THE NORTH MAYBE, RATHER DEFINITELY DISTENDED TO THE WEST AND WE AGREE, NO COMMA NOT TO BE, WHAT WE ARE ON ABOUT, IS THE MAP OF ALL TIME, WHY DO WE HAVE, WHY DO WE HAVE SUCH MASS OF LAND AT THE NORTH POLE, THE POLAR REGIONc THE MAPS, ABSENT ONE CASSINI, OF CASSINI AND THE CLASS OF FELLOW TRAVELER WHO DID OMIT THE MERCATOR CONTINENTS TO THE NORTH, AND FURTHERMORE THE MAPS AND TEXTS FROM THIS ERA ARE ALL QUITE OPERATIVELY ABSENT ANY SOLID COMMENTARY OF THE LANDS OF THE NORTH AS WE FIND THEM, CURIOUS THAT, AND WHY THE MOST INTERESTING ANOMALY, NOT ANOMALY, THE TRUTHFULNESS OF WHAT WE SEE, ALL ACROSS THE WORLD WITH FIDELITY, TO THE PLACES THAT WOULD BE, THE BEST THEY COULD, WITH RESPECT TO THEE, INDEED, MIDDLE AGE, MAN IN NO CAVE, HIGHER EDUCATED THAN WE NOW, AT LEAST BY FAR MORE OPERATIVELY CAPABLE OF THE SCIENCES OF THE REAL WORLD TO BE, INSTRUMENTATION THAN PERMITTED BY THE POWERS AND UNIVERSITY, AND TO MEASURE THE PROPER ANGLES OF THE MOON AND SUN AND THE STARS LIKE ALL AROUND THE CARTOGRAPHERS RATHER SOUND ON ALL FRONTS, UNLIKE TODAY WHERE WE DOUBT ONE MAN OR WOMAN CAPABLE TO REPRODUCING THE FEAT, COMPUTERS NOTWITHSTANDING, LIKE THE TOP IMAGE BECOMING OF NOTHING BUT THE GREATER CYCLES OF THE MOON AND FROM THE SUN AND WHY OUT FROM TWO NODES ON THE LUMINARY THERE ARE LINES, THERE ARE LINES TO TWELVE DISTINCT ILLUSTRATIONS OF THE MOON, THANK YOU MUCH INDEED, ITS THE EDITS THAT WE NEED, WHAT WE TELL YOU HERE IS LIKE IN GAINSBOROUGH THE DAY BELOW WE HATH FOUND EFFIGY IN CANVAS ON MAP AS WELL. FROM THAT TO HOW MANY, HOW MANY PIECES OF THE MOON THAT EMANATE FROM THE SUB THAT WOULD BE TWELVE, TWELVE DIVISIONS OF THE CYCLE OF A OR THE SUN TO MOON RELATIONSHIP, AND TWENTY EIGHT TOTAL LINES, LOOK AGAIN PLEASE, IS IT LESS OR MORE, THIS IS HARD TO BE SURE, NOT AT ALL, IT IS FOURTEEN AND FOURTEEN, NUMBERS AGAIN REPEATING BY ONE MORE ADDITIVE BLOCK RESULTS IN FORTY TWO, THE THIRD PART MOST LIKELY FROM THAT LOWER RIGHT COMMENTARY ON THE DIAGRAM AT TOP, THE FORGERY, AND ITS TRUE EDITION, THE ORIGINAL THAT FOLLOWS BELOW THAT IS NOT AT ALL AS WELL RESOLVED AND AS SUCH THERE IS A LOSS OF INFORMATION THAT ONLY ONE TRUE VOLUME, OR THE NTH IN THE SERIES, MIGHT RESOLVE. HOWEVER, WE ARE VEXED TO SEE PURPLE IN THE FORGED EDITION AS THAT IS A BAD SIGN THAT IS TAINTED BEYOND REPAIR, HOWEVER THE EFFIGY IS NOT THERE EITHER WAY AS THERE MIGHT HAVE BEEN A CIPHER, A CIPHER RATHER THAN A VISAGE, HIT THE BUTTON PLEASE, AND DO NOT PERMIT US TO READ THOSE COMMENTARIES AT ALL AND WHO FORGES THESE TEXTS IN THE MODERN DAY AND THEN RESPECTS NONE AT ALL AND SELLS THEM ALL FOR SIXTY FIVE THOUSAND DOLLARS OR MORE, ONE HUNDRED TWENTY FIVE THOUSAND DOLLARS FOR THE TEXT AT TOP THAT IS ACTUALLY A FORGERY AS WELL, SEE BELOW, AND DO TELL, WHY WE SAID YESTERDAY, DO NOT BUY BOOKS ON THE INTERNET ANY LONGER, BOOK COLLECTOR HERE INDEED, THE TARGET ONCE OF VERY MUCH OFFICIAL CAPACITIES, AT LEAST THROUGH OPACITIES,

FORGERY NOT IN FULL BUT MOSTLY AT THE PLATES OF ADVANCED TECHNOLOGY TO REPRODUCE ON PAPER AND SEE CARBON DATING WOULD AGREE OLD BUT MYSTERY OF WHY EASILY RECOGNIZED FRAUD AT THE EYES AND WHY TO INSULT THE PURCHASER AND RESULT NO LIABILITY FOR PROVEN TO BE OLDER THAN IT SHOULD BE AS SUCH THE DATE MUST BE IN ERROR AND COURT TO SEE NOTHING BUT THAT DATA POINT WHY WE CARE AT ALL BECAUSE COURT AND ALL ITS AFFECTATIONS HERE BEFORE THE SUBJECT OF A WAR ON HISTORY MOST PRINCIPALLY FOR THIS REASON THAT WE CANNOT BE PERMITTED TO RECORD TRUTHFULLY THE DEEDS AND ACTS OF GOOD OR BAD UNLESS THEY ARE PRE-WRITTEN BY MASONS ALONE THAT IS WHY WE CITE ONE BELOW AND DO WRITE ONE LOWERCASE NOT AT ALL ANY LONGER THE REAL ONE BELOW,

KEEP GOING

STILL GOING, THIS MAP IS A FORGERY IN ABOUT NINETEEN SIXTY WE ARE TOLD THAT IS ALL MAYBE PLUS EIGHT OR NINE IN THE MAD RUSH TO THE MOON OR NOWHERE AT ALL SECRETS MADE THEM NERVOUS ABOUT POWER AND WHO HAS IT AT ALL, THE EXCERPT BELOW FROM THE SIXTY-FIVE THOUSAND DOLLAR BOOK OR TEXT THAT IS LARGELY FORGERY, RARE BOOKS AND ART, WHY WE CARE INDEED FROM THE START, THIS IS PART FOUR OF THE WASHINGTON ENGRAVING MYSTERY, THE LAYERS EMBEDDED AND DIMENSIONS THROUGH THREADED ARE TOO MUCH FOR THE ELITE CASTE OF THE FRAUD ROYALTY LIKE WE SAID AT THE HEAD OF THIS BEAST, HERE WE ARE, BELOW, WHY WOULD THEY CARE ABOUT A MAP IN A TEXT THAT IS ALLEGED ITSELF TO BE A REPRINT OF THE ORIGINAL, BECAUSE STILL THE EDUCATION OF THAT TIME IS FULLY CHRISTIAN AND ONLY ALONG THAT LINE WILL WE OR YOU OR THEY WHO UNTO UPON DISCOVERY OF THE DIMENSION NUMBER THREE AND FOUR AND THEN FIVE AND AS MANY AS SURVIVE IN THE TEXT WE BEGAN TO SAY LIKE A LACONIC KING SO IT IS, INDEED, SO IT IS, SO IS, WE AGREE, THIS MAP IS A WRETCHED FORGERY, AND SIXTY-FIVE THOUSAND DOLLARS IS CHEAP FOR THE BOOK, TOO CHEAP AT ALL, WHAT ABOUT THE MULTI MILLION DOLLAR PAINTINGS, NOT THE NONSENSE OF THE CONTEMPORARY CONTEMPTUOUSLY PATHETIC GENRE, THE MASTERS OF THE PAST, A RAPHAEL, DONATELLO, DA VINCI, INDEED NOSADELLA ON THIS LIST FOR THE ANNUNCIATION WE AGREE IS ITSELF ON MOST VISIBLE CANVAS LEVEL HYPERDIMENSIONAL IN THE BEST KIND OF WAY, THIS ONE BELOW IS ONE FLAT LOW BAD, BAD, VERY, VERY BAD, IT IS ONLY BECAUSE WE SAY THE TRUTH OF THE MATTER THAT WE CAN EVEN TOLERATE IT BEING AMONG THE WORKS HERE AT ALL, THANK YOU MUCH INDEED,

BETTER THAN BEFORE, HISTORY DEPARTMENTS BY MASONS ARE PROFOUNDLY INFILTRATED AND THAT’S WHY WE CARE SO LITTLE ABOUT HISTORY AS A DISCIPLINE ANYMORE, AT UNIVERSITY, PLEASE DO SEE THE RECENT CONTROVERSY ON LEWIS AND CLARK, THE EXPEDITION, AND THE ATTEMPT OF AN AGENCY MOST VIGOROUSLY WITH RUNNING INTERFERENCE FROM MEDIA WHERE AT ALL IT WOULD BE KNOWN TO ANYONE TO CARE FOR THAT AT ALL, TO ROB US, THE PUBLIC, AND THE WORLD, OF THE HISTORY OF NORTH AMERICA AND THE UNITED STATES OF AMERICA, AND THOMAS JEFFERSON SPECIFICALLY, THANK YOU, WE AGREE, THAT TIME OF EXPEDITION THAT HE TOOK TO LONDON AND VICINITY, TO THE GREAT ROOM OF CHRISTOPHER WREN, WHO ARE YOU, THAT WOULD BE MONTICELLO THOROUGHLY, THE ROOM IN YELLOW, THAT WOULD BE ONE EIGHTEEN, AND THE PANTHEON, WHO OF THE MOON, WHO WOULD BE, NUMBER TWO BEHIND WASHINGTON, OF COURSE, THANK YOU VERY MUCH, YELLOW AS THE COLOR, THE SUN, THE SUN, AND THE SUN, AND THE SUN HATH BECOME THE TRUE NATURE OF WHY IT IS THAT ROOM IS THE WAY THAT IT IS WHEN WE GET TO SUN, SEA, MOON, AND THAT WOULD BE ALL THREE, PLUS THE STARS THE JUMP TO FOUR AND NOTHING MORE, BUT THE STARS AND WE REPEAT AGAIN, NOTHING MORE FAKE THAN THE STARS AND THE WAY THEY ARE RECORDED IN TEXT ESPECIALLY OF THE BEST THAT EXPEDITION BECAUSE RACISM WAS ALLEGED BY WHO ARE YOU A DEMON IN HUMAN CLOTHING FORGERY OF THE RECORD IN LIEU OF THE RECORD OF NATURAL HISTORY THEY ARE MOST SCARED WE WOULD SEE SOME ORIGINAL RECORD OF THE JOURNALS OF LEWIS AND CLARK AND MAYBE ONE SENTENCE OR MORE ON THE ROCK HERE OR THERE THAT MIGHT HAVE BEEN CIRCLE SQUARE OF THE MOON AND NO MORE ON THIS TOPIC, IN THE MEANTIME, URSA MAJOR FROM THE CELESTIAL ATLAS OF WHO AND WHAT AND WHERE, A MAN NAMED JAMIESON, ALEXANDER, INDEED IN THE UK, STILL OK TO GO THERE AND LOOK FOR KNOWLEDGE OF THIS AND THAT, ITS JUST THE ROYALTY AND THE MASONRY ARE FILTHY BEYOND ANY WORDS WE WOULD LIKE TO SAY ANYMORE, 1822 AND 1824, JAMIESON’S CELESTIAL ATLAS, THEREFROM BELOW, THE CONSTELLATION OF THE BEAR, THE ONLY REAL PLATE OR ENGRAVING OR ILLUSTRATION FROM THE SELECTION AVAILABLE ONLINE, OFTEN TIME, UNIVERSITY OR ENTITY LIBRARY OR MUSEA, HISTORICAL RECORD LIKE THE LOC, LIBRARY OF CONGRESS FORGERY IN FULL, OFTEN TIMES, BECAUSE THE UNITED STATES IS UNDER ATTACK AND FURTHERMORE THE UNIVERSITY IS AN ATTACK VECTOR ITSELF FOR ANYTHING TO DO WITH HISTORY OR ANTHROPOLOGY IS SO POLLUTED WITH NONSENSE BEFORE AND ALL THROUGHOUT THAT IT CANNOT BE STUDIED IN DOUBT OR IN HIDING, THAT WE BELIEVE IN FULL MOSTLY, THAT PAINTING OF CARLO MARATTA, ST. ANDREW’S ADORATION OF THE CROSS, TO BE OR HAS BEEN BOUGHT BY, MYSTERY, NOT GOOD, ONE EDITION OF THAT PAINTING FROM SCOTLAND SOLD OR IN SALE PROCESS THE OTHER, WE READ, INDEED, THE BOB JONES UNIVERSITY IN SOUTH CAROLINA, USA, FORGERY ALL DAY, PROBABLY DELIBERATELY TO MOCK THE STUDENT BODY, THAT IS WHAT MEAN, A CHRISTIAN UNIVERSITY, TUITION AND REGISTRATION FEE ALL TO WHOM, THE FORGER AND TO CONSUME THE DIGNITY IN SECRET OF ALL THE CHRISTIAN MEN AND WOMEN BOYS AND GIRLS WITH TREASURE BEFORE NO THANK YOU ANYMORE, ART AT AUCTION WRETCHED AND VILE, MAYBE THE LAW TO BE AN EXTRA MILE FOR THE PROTECTION OF ANTIQUITIES THE CHRISTIAN MASTERS PLEASE, THE REASON THE VERY REAL REASON WHY IS BECAUSE OF WHAT BEGAN WITH EFFIGY IN THE ROCK, REFER TO THE CHAPTERS THIRTY-FOUR, SIDEBAR, AND BELOW, REFERENCE TWO, THE WORK NOW KNOW THIS A PART OF, IN FULL, THE PROCESS OF THAT DISCOVERY, TO THE NORTH, WE WOULD AGREE, THE RIVERS OF MYSTERY, FOUR RIVERS, THE FOUR HEADS FROM WHERE THE WATERS FLOW FORTH, LIKE GENESIS SAID PLEASE, 2:10 THAT WOULD BE, FROM EDEN THE RIVER FLOWED OUT TO WATER THE GARDEN AND THENCE IT WAS PARTED INTO FOUR HEADS, NOT QUITE LIKE WE RECALL, IF AT ALL, THE FACES OF THE EARTH AND FACES ON THE SEA, THE FACES ON THE WATER, THE FACES KNOWN TO ME, IN PART BY ONLY WHAT I SEE, THE FACES THAT WE CALL EFFIGY, THE HALLMARK OF TRUE SPIRIT AND TRUE DIVINITY, THAT IS WHY THE PAINTINGS ARE ALIVE, LIKE WE SAID ABOVE, THE NOSADELLA THAT IS AROUND THE CORNER FROM A OR THE NO THE ST. MARTHA, WE AGREE, THE HAND MISSING, PALLADINE, OF ITS KIND, LIKE A MIND, THE BA ENERGY, WITHOUT COMPLICATION SIMPLY A VESSEL OF SPIRIT AND DIVINITY, HOWEVER THAT WOULD BE, THE TRUE, TRUE MYSTERY, LET IT BE, IT IS AND IT SHALL BE WHEN IT IS INDEED AS IT, WE AGREE, LIKE THE SEA, SOMETHING VERY SPECIAL INFORMS THAT WHEN WE SAY MEGALITHIC TECHNOLOGY, THIS IS WHAT WE MEAN, FUNDAMENTALLY, AT BASE LEVEL THIS IS A LIVING ROCK, THE BAETYL, FROM HIGH UP ABOVE, THE MYSTERY, AND THE LOVE, AND THE HIGHEST, MOST PROFOUND, OFTEN TIMES DANGEROUS, OFTEN TIMES TO BE GROUNDED, ONE MUST BE, TO EVEN COMPREHEND WHAT YOU SEE, IN PAINTING, THAT PAINTING HERE MUST BE, AS BEFORE NOW MORE MEANING TOWARDS WHY ITSELF, INDEED ALIVE, ITSELF COULD BE, THE SHRINE, OR THE HOLY RELIC, NAMES NOW MORE PROFOUND THAN BEFORE, WHEN CREATED WITH GUIDES WHO ADORE THANK YOU VERY MUCH INDEED, THAT IS ALL THAT WE NEED,

REFERENCES

ONE, Heinrichs, Ann. Karrow Jr., Robert W., Content Advisor, Curator of Maps, The Newberry Library, Chicago. Palmer, Rosemary G., Ph.D., Department of Literacy, College of Education, Boise State University, Idaho. 2008. Gerardus Mercator, Father of Modern Mapmaking. Compass Point Books, 3109 West 50th Street #115, Minneapolis, MN 55410. Editor: Jennifer Van Voorst. Page Production: Bobbie Nuytten. Photo Researcher: Svetlana Zhurkin. Catographer: XNR Productions, Inc. Library Consultant: Kathleen Baxter. Art Director: Jaime Martens. Creative Director: Keith Griffin. Editorial Director: Nick Healy. Managing Editor: Catherine Neitge. ISBN 13: 978 0 7565 3312 0. ISBN 10: 0 7565 3312 0. Copyright 2008 by Compass Point Books. Printed in the United States of America.