THE 35TH DAY T MINUS ONE FIFTEEN: NOTES ON EFFIGY FACE OF THE ONOKO FALLS

One, the effigy face in question, measuring about a cubit, eighteen inches, or more in vertical dimension and this upon the face of a waterfall that does pose many difficulties in comprehending how an artisan would reach this point which about ten to fifteen feet off the slick ground which is itself rocky, irregularly positioned and formed on staircase-esque feature running right parallel to the main course of approximately ninety-three feet of falling water, as below,

Two, the effigy faces of Minoan females, likely traced from an edifice feature and excerpted from text on Santorini lacking ISBN number, below the classic faces of Mediterranean females,

Three, the effigy face a Mycenaean woman, Public domain from wikipedia, very similar to above, down below,

Four, The fifth century B.C. effigy face of a classical Greek rendition of Apollo from the cover of Delphi, B.C. Petracos, ninety seventy-one, Hesperus Editions, allegedly one of the best artists of the time did the kylix below,

Five, the effigy faces of Etruria, excerpted from The Etruscans, M. Pallottino, nineteen fifty-five, Penguin Books edition, plate twenty-three, tomb paintings with boy and girl at left-gaze with effigy face characteristic of Etruscan style, probably fifth to seventh century B.C.,

Six, the face of a Phoenician woman as per the cover of eponymous below,

Seven, Egyptian depictions of faces in effigy, this text likely a magical incantation from The Book of the Dead, courtesy Penn Museum exhibit circa two-thousand fifteen, and the figure at far right close enough to the form of classical Mediterranean effigy seen herein and above that is of course for reference to the lady of the falls, down below papyrus of forgotten age,

Eight, the effigy faces of Native America, one South America, Mayan, from The Blood of Kings: Dynasty and Ritual in Maya Art, the classic mesoamerican profiles below,

Nine, the effigy faces of Native America, two, North America, unknown, New Jersey, piedmont plateau, Appalachian Mountains, copyright the author, classic type of Man on the Mountain New Hampshire state quarter effigy face that is indeed iconic all throughout the lithic places where Native Americans did inhabit, diabase or argillite, down below,

Ten, the location of the original effigy face in question deep in the woods of Pennsylvania, USA, indeed below mornings as they go, most curious this very waterfall has the legend of a woman appearing out of the mists each morning at nine-fifteen or nine-thirty am, depending on text a or b, and that effigy face in exact place of the apparition to be and itself is spectral, spectral for this part of the world, perhaps an Artemis representation for a or the Temple of the Moon, down below the falls at far left middle of the panorama of the early morning cloud dance,